List: Top 30 Fall Films to See (September-December)


We are two weeks into the Fall Movie Season; that lovely time of year when theaters are crowded with anticipated releases big and small. I have to admit that there are not a ton of films I’m dying to see these last several months of the year. My Top 30 is a strong group indeed, but this is the first year in a long time where I didn’t have about 45 films clamming for a spot on the Top 30. To put it simply, several of the bigger fall releases I’m feeling ambivalent towards. These include Flight, Promised Land, The Impossible, Les Miserables, Life of Pi, Hyde Park on Hudson and The Hobbit: An Unexpected Journey. I’m really looking forward to On the Road, Therese Raquin, Skyfall, Frankenweenie, Detropia, This is 40 and The Sessions but not enough to earn them a spot on the list.

If all of those highly anticipated films do not appear on this list, the question begs; what does? These are the 30 films I am most looking forward to. What are yours?

30. Barbara (Germany)
Synopsis: A doctor working in 1980s East Germany finds herself banished to a small country hospital.

Germany’s official submission for this year’s Oscars. I have yet to see a film directed by Christian Petzhold although I always meant to see Jerichow. I’m always going to be a sucker for films set in East Germany.

29. Lincoln
Synopsis:
As the Civil War nears its end, President Abraham Lincoln clashes with members of his cabinet over the issue of abolishing slavery.

The recently released trailer for Lincoln felt admittedly stuffy and anticlimactic. But I have faith in this film, despite the actors playing historical dress-up vibe and not caring about Spielberg’s 2011 one-two punch of War Horse and The Adventures of Tintin. But look at this cast! Look at it! Daniel Day-Lewis appears in one film every few years, so any opportunity to see him on screen must be seized immediately. Especially since his last film role was the start-to-finish miscalculation known as Nine.

28. Dredd 3D
Synopsis:
In a violent, futuristic city where the police have the authority to act as judge, jury and executioner, a cop teams with a trainee to take down a gang that deals the reality-altering drug, SLO-MO.

Out of nowhere, Dredd 3D is getting really solid notices. Like, ridiculously solid review. In a world where the film industry deals in remakes and comic book adaptations as a daily ritual, I don’t think anyone had this on their radar. For the countless middling forgettable release and anticipatory disappointments, there aren’t as many ‘where did this come from’ surprises. Alex Garland wrote the screenplay, whose credits include Never Let Me Go, Sunshine and 28 Days Later. Color me intrigued. But if the notices are to be believed, this is more than worth checking out.

Bonus: Olivia Thirlby sporting blonde hair while kicking ass and taking names.

27. Sister (France)
Synopsis: A drama set at a Swiss ski resort and centered on a boy who supports his sister by stealing from wealthy guests.

This sibling drama doesn’t seem to fit too comfortably into any easy box (outside of the aforementioned ‘sibling drama’) which is what draws me to it.  Lea Seydoux continues to stamp her presence as a French arthouse bombshell with her second release of the year after Farewell, My Queen.

26. Smashed
Synopsis: A married couple whose bond is built on a mutual love of alcohol gets their relationship put to the test when the wife decides to get sober.

I have had my eye on Mary Elizabeth Winstead for a while now. Forget Scott Pilgrim. We’re talking the days of Final Destination 3, Death Proof and Black Christmas. Yes that’s right; Black Christmas. Last year she got a starring role in the remake of The Thing, walking away with all of her dignity in a film as forgettable and rote as they come. I think what most people are excited about in regards to Smashed, is Winstead finally gets a chance to show us what she’s got. And by all accounts, it was worth the wait.

Bonus: Aaron Paul, people. Aaron Paul. Aaron Paul: that is all.

25. How to Survive a Plague
Synopsis: The story of two coalitions — ACT UP and TAG (Treatment Action Group) — whose activism and innovation turned AIDS from a death sentence into a manageable condition.

This documentary has the subject matter and the kind of upcoming exposure to really get some attention. It looks like the type of inspiring impassioned history lesson that I look for in this type of doc.

24. Killing Them Softly
Synopsis: Jackie Cogan is a professional enforcer who investigates a heist that went down during a mob-protected poker game.

I have to admit that the trailer for this left me really underwhelmed and relatively uninterested in the story. However, the pairing of director Andrew Dominik and Brad Pitt has me salivating for this. Considering that The Assassination of Jesse James by the Coward Robert Ford is in my top 10 of the 2000’s, you best believe this earned a spot.

23. Argo
Synopsis: As the Iranian revolution reaches a boiling point, a CIA ‘exfiltration’ specialist concocts a risky plan to free six Americans who have found shelter at the home of the Canadian ambassador.

Ben Affleck’s first two films managed to impress me enough without bowling me over. But it’s clear the man’s got a sure and efficient directorial hand. The cast, the based on a true story concept and 70’s period detail are all promising, not to mention its warm reception on the festival circuit.

22. Zero Dark Thirty
Synopsis: A chronicle of the decade-long hunt for al-Qaeda terrorist leader Osams Bin Laden after the 9/11 attacks, and his death at the hands of the Navy SEAL Team 6 in May, 2011.

Kathryn Bigelow’s follow-up to The Hurt Locker, chronicling the hunt and kill of Osama Bin Laden. I can’t wait to see how the film depicts its subject matter and how functionally rooted in factual reconstruction it is.

21. The Other Dream Team
Synopsis: The incredible story of the 1992 Lithuanian basketball team, whose athletes struggled under Soviet rule, became symbols of Lithuania’s independence movement, and – with help from the Grateful Dead – triumphed at the Barcelona Olympics.

Been hearing a lot about this documentary (one of only 3 on this list since the majority of documentaries come out during the Spring and Summer months). This is a truly fascinating subject, ripe for potential exploration, and it looks genuinely educational and uplifting to boot.

20. Sleep Tight (Spain)
Synopsis: An embittered concierge at a Barcelona apartment building plots to make one happy-go-lucky resident completely miserable in this psychological thriller from [REC] and [REC 2] co-screenwriter/co-director Jaume Balaguero.

I feel pretty confident that this is going to be a reliable, solid slice of horror. It looks like the kind of low-key, suspense ratcheting creepfest that focuses on its antagonist over other characters. And Spanish directors certainly know how to deliver the scares: The Orphanage, The Devil’s Backbone, REC, The Others and last year’s The Last Circus to name a few obvious examples.

19. V/H/S (seen)
Synopsis: When a group of misfits is hired by an unknown third party to burglarize a desolate house and acquire a rare VHS tape, they discover more found footage than they bargained for.

I’ve already seen this one but this is where it would have been placed. Horror anthologies are always worth a watch and these directors take the stylistic experimentation that videotapes inherently offer, with its glitchy worn-down visuals and static white noise, and channel it through the possibilities of the genre. That alone makes this worth watching. For all the mediocrity of the stories themselves and the fevered gender-based discussion it has incited, V/H/S has a DIY aesthetic that makes its mark.

18. Keep the Lights On
Synopsis: In Manhattan, filmmaker Erik bonds with closeted lawyer Paul after a fling. As their relationship becomes one fueled by highs, lows, and dysfunctional patterns, Erik struggles to negotiate his own boundaries while being true to himself.

This looks emotional and moving with strong lead performances. It has been impressing audiences since Sundance.

17. Bachelorette (seen)
Synopsis: Three friends are asked to be bridesmaids at a wedding of a woman they used to ridicule back in high school.

Another film on the list I have already seen, this is where Leslye Headland’s self-adapted mean streak of a comedy would have been placed.

16. Sinister
Synopsis: Found footage helps a true-crime novelist realize how and why a family was murdered in his new home, though his discoveries put his entire family in the path of a supernatural entity.

Since premiering at SXSW in March, I have heard nothing but good things about this one. Good horror films that get wide releases are far and few between, but this looks like it will garner Insidious levels of attention with the buzz I’ve been hearing.

15. Silver Linings Playbook
Synopsis: After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.

Winning the Audience Award at Toronto today is a huge signifier as to how this film will be received. The trailer didn’t do much to impress, looking too by-the-book with empty quirk thrown in. But all signs point to David O. Russell having a huge hit on his hands post-The Fighter. Russell is one of my favorite directors working today so I cannot wait to see him working in the comedic realm again.

14. Girl Model
Synopsis: A documentary on the modeling industry’s ‘supply chain’ between Siberia, Japan, and the U.S., told through the experiences of the scouts, agencies, and a 13-year-old model.

The second of two documentaries on this list, Girl Model looks like a chilling and illuminating look at the international modeling industry.

13. Seven Psychopaths
Synopsis:
A struggling screenwriter inadvertently becomes entangled in the Los Angeles criminal underworld after his oddball friends kidnap a gangster’s beloved Shih Tzu.

Martin McDonagh’s follow-up to In Bruges reunites him with Colin Farrell as well as Christopher Walken and Sam Rockwell, both of whom starred in his play “A Beheading in Spokane”. McDonagh a master of the kind of dialogue that knows it’s clever, a Snatch-like trait that I usually veer towards not liking. Somehow he pulls this style off with aplomb and if it’s anywhere near as good as In Bruges, we are in for a treat. Oh, and Tom Waits people. Tom. Waits.

12. Wreck-It-Ralph
Summary: A video game villain wants to be a hero and sets out to fulfill his dream, but his quest brings havoc to the whole arcade where he lives.

This is the only children’s film I really can’t wait to see this Fall. The trailer had me full-on cracking up in a way no trailer has in ages and it has got a golden goose of a high concept. Add in the voice work of John C. Reilly at the helm and the smorgasbord of video game references and this looks like a guaranteed winner.

11. Looper
Synopsis: In 2072, when the mob wants to get rid of someone, the target is sent 30 years into the past, where a hired gun awaits. Someone like Joe, who one day learns the mob wants to ‘close the loop’ by transporting back Joe’s future self.

A brainy sci-fi headed by Rian Johnson? The amount of hype going into this one is considerable, but it looks like it will live up to expectations. I’m a huge fan of Brick and Johnson has directed two of the best “Breaking Bad” episodes in existence (“Fly” and “Fifty-One” respectively). So to see him get the opportunity to headline a considerably mounted genre film with its own world and rules is sure to impress. It is already well on its way to its own spot in the pantheon of great sci-fi flicks.

10. Wuthering Heights (Seen)
Synopsis: A poor boy of unknown origins is rescued from poverty and taken in by the Earnshaw family where he develops an intense relationship with his young foster sister, Cathy. Based on the classic novel by Emily Bronte.

I got the opportunity to see this at the Independent Film Festival of Boston and this is where Andrea Arnold’s adaptation would have been placed had I not seen it. It would have been one of my favorite 2012 films had the last hour not been entirely unbearable. Here is my review: https://cinenthusiast.wordpress.com/2012/05/01/review-wuthering-heights-2012-arnold-iffboston-2012/

9. Django Unchained
Synopsis: With the help of his mentor, a slave-turned-bounty hunter sets out to rescue his wife from a brutal Mississippi plantation owner.

I realize that it looks like Quentin Tarantino’s latest gets a pretty low spot. Surely this is Top 5 material, right? Well, while I’m sure this is going to be fantastic, I’m also feeling ready for the director to do something else besides revenge across different genres. But this promises memorable characters, references galore and the type of crackling two-person dialogue scenes we love from him. I think I’m most interested to see how Leonardo DiCaprio fares in one of the auteur’s films and as a villain at that. It’s a much-needed and refreshing step out of his comfort zone.

8. Perks of Being a Wallflower
Synopsis: An introvert freshman is taken under the wings of two seniors who welcome him to the real world.

I’ve had high hopes, really high hopes for this, for a long long time. A lot of us have been waiting forever to see if Stephen Chbosky seminal coming-of-age novel was ever going to be adapted, and lo and behold, the day is almost upon us. It has a remarkable trio of actors in the lead roles. I am particularly amped for Ezra Miller, who quickly climbed his way onto my list of favorite young actors. There hasn’t been a memorable high school flick in a while. And this soundtrack, which takes from the book, is to die for. To. Die. For. The fact that Galaxie 500’s “Tugboat” is going to be in this film is a fact that single-handedly earns ‘Perks’ a spot on the list.

7. A Royal Affair (Denmark)
Synopsis: A young queen, who is married to an insane king, falls secretly in love with her physician – and together they start a revolution that changes a nation forever.

This is shaping up to be a great year for Danish actor Mads Mikkelsen. He won Best Actor at Cannes for The Hunt (which will hopefully get a Spring release for 2013), he is set to star in a TV series as Hannibal Lecter and he received excellent notices in the very well-received historical drama A Royal Affair. This looks like an intriguing much better-than-average historical drama that is right up my alley. It also stars Alicia Vikander, a young actress to watch out for who also will appear in Anna Karenina.

6. Rust and Bone (France)
Synopsis: Put in charge of his young son, Ali leaves Belgium for Antibes to live with his sister and her husband as a family. Ali’s bond with Stephanie, a killer whale trainer, grows deeper after Stephanie suffers a horrible accident.

This being the latest from Jacques Audiard (A Prophet and Read My Lips) with a reportedly stellar lead performance by Marion Cotillard gives this a very high anticipatory spot. Cotillard has been relegated to pretty thankless roles since catapulting to the Hollywood A-List. It’ll be nice to see her in a meaty lead once again.

5. Holy Motors (France)
Synopsis: From dawn to dusk, a few hours in the life of Monsieur Oscar, a shadowy character who journeys from one life to the next. He is, in turn, captain of industry, assassin, beggar, monster, family man…

All I heard during this year’s Cannes coverage was Holy Motors, Holy Motors, Holy Motors (well, that and a certain other film to appear on this list shortly). By all accounts, this is a surreal whackadoo head trip in the best way possible. It seems well on its way to earning a cult status and I intend on checking it out the moment it comes near me.

4. Cloud Atlas
Synopsis: An exploration of how the actions of individual lives impact one another in the past, present and future, as one soul is shaped from a killer into a hero, and an act of kindness ripples across centuries to inspire a revolution.

What will likely be the most divisive film to come out this season, I for one am counting down the days until this film gets released. The 6-minute trailer is a thing of beauty, bringing tears to my hypersensitive eyes. We can attribute a lot of this to the inspired use of M83’s brilliant “Outro”.  And I am over halfway through David Mitchell’s novel as we speak.

The way I see it, whether the film turns out to be a disaster or a triumph (or both at the same time), these filmmakers are going for it. The Wackowski’s and Tom Tykwer have together tackled what is widely thought to be an unadaptable novel (more so than most novels given the unadaptable label). It’s weaving six stories in one film, all in different time periods, with the same actors with the tired old theme of interconnectedness. No matter what the outcome, the film will be discussed for years to come. Without having seen it and going on gut instinct, it feels like the type of film that will possibly be reassessed for the positive as decades pass. As you can see, I’m preparing myself for the bashing to come. I can already see that Cloud Atlas is going to bring out the worst in the blogosphere, Prometheus-style. But no matter what the outcome, this is going to be an ambitious, epic and challenging work that nobody can fully write off. It may end up becoming a flop, but it sure as hell will go down swinging.

Ridiculous Bonus: Bae Doona, one of my very favorite actresses working today is going to get some serious international exposure here as Sonmi-451.

3. Amour (Austria)
Synopsis: Georges and Anne are in their eighties. They are cultivated, retired music teachers. Their daughter, who is also a musician, lives abroad with her family. One day, Anne has an attack. The couple’s bond of love is severely tested.

New Micheal Haneke. That not enough for you? It won the Palme D’Or. That still not enough for you? Haneke regular, and my favorite actress, Isabelle Huppert appears. Want more? This is Haneke doing a tearjerker about the elderly with two lead performances that supposedly devastate. My common sense tells me that Amour is going to stomp out my soul. Part of me has been mentally preparing myself for this film since this year’s Cannes.

2. Anna Karenina
Synopsis: Set in late-19th-century Russia high-society, the aristocrat Anna Karenina enters into a life-changing affair with the affluent Count Vronsky.

Another film that is sure to divide. Joe Wright’s decision to set the Tolstoy adaptation on a stage and to use theatrical stylization is sure to distract some. But frankly, if all we are left with are the visuals evident in the trailer, this will still likely land a spot on my favorites for the year. The costumes, production design and overall look of the trailer is sickening. Joe Wright is one of my favorite directors working today. He pushes himself into challenging and creative directions that breathe new life into familiar tales. Wright reteaming with Keira Knightley, surely one of modern cinema’s most rewarding director/star collaborations, is always thrilling. The way his camera illuminates this woman (who is already stunning to begin with) is beyond my ability to comprehend. We’ve got a screenplay by the great Tom Stoppard, cinematography by the great Seamus McGarvey, music by the great Dario Marianelli and costume design by the great Jacqueline Durran. So basically what it comes down to is that lots of great people are involved in this. I plan on reading this monster of a novel before the film comes out. Now that’s anticipation for you.

1. The Master
Synopsis: A Naval veteran arrives home from war unsettled and uncertain of his future – until he is tantalized by The Cause and its charismatic leader.

I honestly feel like I don’t even need to put reasons here. It’s at the top of everyone’s list. Paul Thomas Anderson is my favorite working director. It’s been 5 years since his last film. This was very close to not getting financed. It’s a near miracle we even get to see this. His films engage me more than any other director. They make me feel things that are unrepeatable, unfamiliar and challenging. His films are dense, complex, elusive, pretentious and indefinably uncomfortable.  I live for his films. And on Friday I will finally be seeing his latest in 70mm. Oh, and welcome back to Joaquin Phoenix. It’s been too long. And if the trailers are any indication, this performance is one for the books.

Advertisements

Review: Iron Man 2 (Favreau, 2010)


Iron Man 2 (2010, Favreau)
5.7/10

Note: This review was originally written on May 8th, 2010

Iron Man 2 is all in all a pretty entertaining sequel that manages to flounder as often as it succeeds. Iron Man was a breath of fresh air in a lot of ways. It offered a lighter but no less entertaining alternative to 2008’s The Dark Knight. The film is very problematic but ultimately a worthwhile experience.

In the sequel, Tony Stark (Robert Downey Jr.) is now dealing with the consequences of revealing his identity. He is given a subpoena for being a weapon which is considered dangerous by the government. He is dealing with Justin Hammer (Sam Rockwell) who is desperate to show Tony Stark up with his own Hammer Tech. There is also primarily the matter of Ivan Vanko (Mickey Rourke), a Russian with a vengeance for the supposed wrongdoing of his father from Tony’s father Howard Stark (John Slattery). Let us not forget that Tony is slowly dying from the palladium which is simultaneously keeping him alive and is nearing hopelessness at the film’s start for a harmless replacement. There is also a matter of the new assistant Natalie Rushman (Scarlett Johansson) who Tony has a hard time getting a read on. Basically there is a lot going on in Iron Man 2; too much. Instead of a faster and busier pace, it makes for a somehow slower pace that is weighted down in set-up while failing to provide much pay off.

To start with, an intrinsically problematic aspect of the Iron Man franchise is the fact that all of the action scenes take place between CGI machinery which is ultimately not very interesting to watch. It is more entertaining to watch actual people fighting each other than to see two machines go head to head with occasional shots of Downey Jr. in his helmet. It is not something that cannot really be fixed since the machinery is such an essential element to the story. Favreau and Theroux know that the situations the characters find themselves in are what make or break an action scene and they do find little ways to tweak the circumstances. Each action set piece does satisfy in one way or another. The racetrack scene in Monaco is probably the most memorable, the party scene between Stark and Rhodes (Don Cheadle) escalates in a surprising way and is the most character driven fight sequence, a spin on War Machine’s wiring makes for a unique dynamic near the climax and yet another scene following that comes to an amusingly quick end making for a dash of unpredictability. These examples, without delving into specifics, all contribute to action scenes that are essentially more interesting than they should be. However, when you put all the scenes together and think about the time spent on them, it does not add up to anything truly interesting. The best fight scene in the film is the one involving Johansson because it is the only scene featuring actual people fighting each other.

The final face-off with Vanko is completely underwhelming. The scene does not last long and there is nothing and the situation within it is uninteresting at this point. This leads to another issue with the film which is the misuse of Vanko’s screen time. Vanko and Stark barely have any screen time or dialogue together. When the hero and villain spend most of the film apart there should be a lot of anticipation going into the final battle or some sort of past. Unfortunately there isn’t. In terms of action, their best scene together comes at the racetrack and they only have one actual scene of dialogue between each other and it comes at about the half way point and is quite short. Vanko spends most of the rest of the film interacting with Justin Hammer in what is essentially the same scene about four times. These scenes involve Vanko working for Hammer, pretending to have a language barrier and Hammer being frustrated as Vanko seemingly screws up the job he has been hired to do. Oh and also; Vanko wants he damn bird. It does not take a genius to figure out that Vanko has some tricks up his sleeve. The problem here is too much set-up with Vanko spending so much of the film working on machines and very little pay off in comparison with how little time he spends actually interacting with the main characters and taking part in the action.

A refreshing aspect of Iron Man was the banter between Tony and Pepper which actually made the love interest subplot to lend itself to the original as opposed to dragging it down. The sequel ups the banter ten-fold but does so in an misguided way. Downey Jr. and Paltrow spend all of their time literally overlapping each other with dialogue as if this were Iron Man as staged by Robert Altman. However, this is not where the problem lies; in fact the overlapping makes the scenes a lot faster and interesting. The problem lies in the content. The banter involves Pepper complaining or nagging about something and Tony brushing said problems off like no big deal. This does two things; first it makes the scenes all one-note and eventually tiresome. Second, it turns Pepper Potts, who was once a concerned but ultimately fun character into a nagging non-character who becomes a burden every time she appears on screen. Once refreshing, Paltrow’s presence cannot help but instigate the thought “here we go again”.

These complaints are all significant and problematic, however, the film is ultimately a pretty worthy sequel with many decent qualities. Overall it is more consistent than the first. While Iron Man is better, the best scene in the first was the opening scene and overall the first half was a lot stronger than the second. The sequel has equally interesting halves even if both have their own specific significant deficiencies. All of the actors perform and contribute well. Downey Jr. is as snarky as ever and while the film depends on the overwhelming personality of both the actor and character too much, it is impossible for Robert Downey Jr. not to be entertaining. Don Cheadle makes far more of a presence than Terence Howard did, giving Rhodes a better sense of character and also a more palpable feel of friendship and history between him and Stark. Johansson makes for a welcome presence especially in comparison to Paltrow’s pestering Potts. However, Johansson has never been good when she is not working with much. Seeing her on Broadway has confirmed for me that she is a great actress and someone who is truly talented. However, some people can make good, underwhelming or bad material work; she can’t. When she’s got a great character she owns it, but when she is given a thankless supporting role she sort of flounders. She looks better than she ever has here and she does a serviceable job but nothing more. Mickey Rourke does a really nice job with Vanko, making him a spectacle but never going over the top with him. Garry Shandling is fantastic in a very small role as well.

However, Sam Rockwell gives the most interesting, and I would argue strongest performance. As Justin Hammer, playing a character much younger than he should be and with a significant amount of screen time, he plays a villain only intimidating in his severe efforts to overcompensate for his own ineptitude. It’s a tough role because it is not a showy character as written and he is also not the big bad. What Rockwell does is go full force with Hammer’s levels of obnoxiousness, misplaced arrogance and awkward repetitive and impatient delivery. Every scene with him goes from being potentially tiresome to quite fascinating as he portrays a man who is in over his head but is so dead set on gaining respect from everyone that he never acknowledges it and continues to be as smarmy and aggravating as possible. It is a give in at this point that Rockwell steals any film in which he has a supporting role. Without him the film would have been too black and white.

Stark’s relationship with his father Howard, who died 20 years ago makes for an interesting aspect of the film. While it did feel like it was self-consciously acting as the film’s “deep” moments, its execution is handled so well that it ends up being one of the most successful things about the film. John Slattery’s presence does not exactly hurt either. The dialogue as written by Tropic Thunder screenwriter and actor from Mullholland Drive, The Baxter and other films, is filled with wit and energy. There are many stand out one liners that come out of nowhere and are really amusing, in particular a line with a “Supernanny” reference and another line about “two seals fighting over a grape” among others. As director, Jon Favreau smartly prioritizes by concentrating on giving each scene an energy which definitely helps the films pace which is simultaneously very weighted down in set-up. Still, Favreau’s direction is a high point and it keeps everything light and fun amidst the heaviness. Also, Vanko and Hammer make for much more interesting villains than Bridges’ Obadiah Stone who was a considerably underwhelming aspect of the first film.

Iron Man 2 is certainly laden with significant problems. However, through it all Favreau and his team somehow made a pretty entertaining and surprisingly satisfying sequel. All of the elements of the first are present and are expanded upon for better and worse. It is mostly consistent as well which made for a more even experience than the first. Also, it seems like a film to satisfy fans of the comics as Nick Fury (Samuel L. Jackson) is given a couple of key scenes and the film overall succeeds in most of the elements that make an entertaining film. It is certainly not anything I would call great or even truly good, and its deficiencies are significant but considering that it was better than I expected, it is easy to simply sit back and be entertained by it. While I cannot overlook the negative traits of the film and it does feel self-indulgent in its premature celebration of itself, I can appreciate that it has succeeded in what it set out to do which is to entertain. That alone might not make it great, but it certainly counts for something.